Utopian Enclaves in Feminist Cyberpunk

One of our talented PhD researchers, Sasha Myerson, has recently produced this video essay on "Utopian Encalves: The City in Feminist Cyberpunk." The video essay replaces Sasha's conference paper presentation at the Cyberpunk Culture conference, taking place online on 9-10 July 2020.


Cyberpunk is conventionally considered a dystopian genre. But, as Tom Moylan has argued, there is a sharp difference between dystopias of resignation—which capitulate to the logics of neoliberalism—and critical dystopias, which “adopt a militant stance that is informed and empowered by a utopian horizon that appears in the text”. Such texts seek to overcome dystopia, find a way beyond it, and transform the present moment towards utopia. Furthermore, cyberpunk is a genre deeply rooted in urban experience, recalling both the dense neon-soaked streets of William Gibson’s Neuromancer (1984), or Ridley Scott’s Blade Runner (1982), and the hyperreal, fragmented urban spectacle that appears in the works of Jean Baudrillard and Frederic Jameson. Yet, such spectacle is not necessarily synonymous with dystopia. As feminist geographer Elizabeth Wilson writes, “the excitement of city life cannot be preserved if all conflict is eliminated […] life in the great city offers the potential for greater freedom and diversity than life in small communities. This is particularly important for women.” Wilson’s vision of the city calls for a radical embrace of “the freedom and autonomy they offer”, while making such freedom “available to all classes and groups.” This paper will read Emma Bull’s Bone Dance (1991) and Naolo Hopkinson’s Brown Girl in the Ring (1998), both texts that work within the genre of cyberpunk, through the critical lens of Moylan and Wilson. Both authors recognise the contradictions of the city, a space often built upon exclusion and inequality that can simultaneously incubate surprising political alliances and glimpses of utopia. My analysis will focus specifically on two passages, the opening of Hopkinson’s text and the ending of Bull’s, which take the conventions of the cyberpunk city and locate within it the potential for a non-hierarchical, diverse and utopian vision of the city that “shimmers just beyond” their pages



Sasha is a PhD student at Birkbeck College. Her research focuses on urban space and the built environment in 1990s feminist Cyberpunk science-fiction. Examining posthuman and multiple subjectivities, her work explores how such individuals navigate, survive and resist within technologized cities of surveillance and discipline. Sasha is a co-director of the London Science-Fiction Research Community and helps to organise Beyond Gender, a feminist research collective. 

For more information see here: http://cyberpunkculture.com/cyberpunk-culture-conference/program-friday/%C2%A726-sasha-myerson/


Author: CCL

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