Transitions 9: Call for Papers
Nov01

Transitions 9: Call for Papers

CALL FOR PAPERS: TRANSITIONS 9 – new directions in comics studies 2020 Birkbeck, University of London Saturday 21st March 2020 We are delighted to announce a call for papers for the Transitions 2020 symposium. Transitions is a platform for emerging research in comics that is free to attend and participate in. This event is focused towards postgraduate and early career speakers, and usually draws a diverse crowd of both new and more established researchers, as well as creators, aficionados and other interested parties. Our aim is to build connections between comics scholars working in diverse academic departments and contexts, to provide a platform for productive debate, and to create a space from which further collaborations can emerge. Keynote speakers: Prof Sylvia Kesper-Biermann (Universität Hamburg) and Dr Nick Sousanis (San Francisco State University) Respondent: Professor Roger Sabin (University of the Arts London) Rather than adopting a narrow theme, the shape and identity of the programme will emerge from the submitted papers. We thus welcome abstracts for 20 minute papers, or pre-constituted panels of three, on topics including (but not limited to): Comics, comix, comic strips, graphic novels, manga, manhwa, bande dessinée, superheroes, adventure, war, horror, fantasy, crime, romance, humour & other genres; documentary/historical/journalistic comics, autobiographical/biographical modes, graphic medicine, politics of representation in comics, formal approaches, transgressive comics, educational and didactic comics, comics for young adults & children, readers and fandoms, creators, comics & the law, publishing histories, web-comics & comics exhibitions, transnational circulation, political economy of comics Please send your proposal to transitionssymposium@gmail.com. Please attach your abstract of 250-300 words plus a short biographical note (preferably as a Word document), indicating ‘abstract’ in the email subject line and your name in the file’s title. This year we are also seeking volunteers to sketchnote / visually record each panel, in order to compile a visual record of the day. If you’d be interested in recording a panel, please email us a couple of (low-res) images or a link to an online portfolio at the above address with ‘sketchnoting’ in the subject line. You do not need to be submitting a paper to take part in this. The deadline for submissions is 1 January 2020. We aim to notify applicants by Friday 17 January. Click here to view the call for papers as a PDF. With best wishes, The Transition Team  ...

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Organic Systems: Session 4 – report
Sep23

Organic Systems: Session 4 – report

by James Burton The fourth and final event in the CHASE Organic Systems series took place in the Dana Studio at London's Science Museum. We were hosted by curator and researcher Glyn Morgan, who is in the process of developing a major exhibition on science fiction that will open at the museum in 2021. In the morning training session, Dr Morgan introduced us to the wide range of opportunities for research collaboration offered by the museum, including support for preparing collaborative funding applications, the on-site research library, and the Collaborative Doctoral Partnership scheme. We also learned about some of the many archives and holdings of the museum relevant to our interests, such as the huge James Lovelock archive (including patents, school reports, letters, prototype inventions and much more). Glyn also offered some fascinating historical examples that reveal the cultural, historical and theoretical intertwining of our key themes of science, fiction and ecology, such as the influence of pioneering radiation researcher Frederick Soddy on H. G. Wells (and vice versa). The session was followed by a short museum tour in which participants’ attention was directed to some of the long-term exhibits relating to our discussions, including the landers and of the 'Exploring Space' section of the museum, and a replica of the 'Clock of the Long Now'. In the afternoon, Roger Luckhurst introduced and moderated our first workshop session, which saw Glyn Morgan joined by two inspiring and thought-provoking interlocutors: Hugo-award-winning historian and critic of science fiction Farah Mendlesohn, and architect, educator and researcher Amy Butt, who draws on science fiction as a critical resource across her practice and teaching. Farah Mendlesohn opened the discussion with several provocative ideas about the changing historical and cultural status of “waste” in relation to a number of questions of environmental and ecological transformation. All three panellists drew on different works of SF (such as Kim Stanley Robinson’s Aurora and Chen Qiufan’s Waste Tide) in exploring different creative and political ways of engaging with and (re)thinking these issues. In the latter part of the session, participants were divided into groups and took part in an interactive exercise conceived and led by Amy Butt, using physical materials and ideas from SF narratives to explore speculative ecologies of plastic, considering questions of waste, recycling, and the imbrication of different environments, networks and agents. The exercise gave rise to several (often surprising) lines of exploration and discussion around our key issues, as well as reflections on the value of SF for critical and speculative research. In the final session of the day, a collective of early career researchers working at Birkbeck and Goldsmiths (the two institutions organising the...

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Organic Systems: Session 3 – report
Jul07

Organic Systems: Session 3 – report

CHASE series: Organic Systems  Workshop 3: Ecologies of Gender Report by Dr Sean O'Brien (Birkbeck, University of London) After a brief introduction and recap of previous sessions, in which Dr Joseph Brooker (Birkbeck, University of London) discussed the increasing awareness of ecology as a critical issue and noted the emerging interest in SF as a critical field with certain capacities for addressing pressing ecological questions and concerns, the group considered a set of questions posed by Dr Caroline Edwards (Birkbeck, University of London) that were designed to help incorporate feminist thinking and gender politics into the discussion of SF and ecology. These questions included: ‘How is feminist thinking valuable for thinking about the environmental and issues of ecological equality and futurity?’ ‘What happens if we ignore gendered experiences of when thinking about environmental issues like climate change?’, and ‘Can SF function as a method, rather than a literary or cultural mode of production [that could] help us address ecological issues?’ Dr Edwards then ran a PhD training session on ‘Public Engagement: Communicating SF Research to the General Public’. Dr Edwards began by problematizing the term ‘general public’, noting that the public is not only more accurately described as publics plural but also, and perhaps more importantly, is a space characterized by divergent backgrounds and a multiplicity of knowledges. Dr Edwards has spoken at a wide variety of public eventshosted by venues such as The Wellcome Trust, Deptford Cinema and Radio 4, and her work has appeared in a number of public outlets, including The Guardian and SFX. She has also staged public exhibitions, including Imagined Futures at the Museum of London, which was recognized in Birkbeck’s Public Engagement Awards, 2018. Over the course of her career, Dr Edwards discovered that her academic interests don’t always translate well for a mixed audience. The research forthcoming in her monograph, Utopia and the Contemporary British Novel (Cambridge University Press, 2019), develops cutting edge conceptual methods from Science Fiction Studies and Utopian Studies for reading a number of lesser-known contemporary British authors. This work has not been picked up by public media as has her work on Mars, the deep sea, the work of H. G. Wells and J. G. Ballard, or various topics she has placed in conversation with Science Fiction. The task then for researchers keen to disseminate their work to the public is to contextualize their research interests using broader topics of public interest, especially thematic and historic contexts. Dr Edwards emphasized that the timelines for public appearances tend to be rather tight, and so it’s important to think about how to use your time wisely and make the work...

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Organic Systems: Session 2 – report
Jun08

Organic Systems: Session 2 – report

On Thursday 23rd May 2019, we held the second workshop in our series Organic Systems, which is supported by CHASE, the Consortium for the Humanities and the Arts in South-East England. This episode of our collaboration between Birkbeck and Goldsmiths took place in Birkbeck’s Cinema. A sizeable audience came along, including CHASE PGR students and also interested members of the public who had seen the event advertised as part of Birkbeck’s annual Arts Week. Like other events in the series, the workshop had the following aims: To provide beneficial research expertise from guest speakers in designated training sessions. To hold round-table sessions in which guest speakers with strong research interests and expertise will present and discuss ideas – with contributions also welcome from the registered participants. To encourage meeting and networking among scholars in related areas, leading to the development of this research area. After a general introduction to the themes of the series, we heard from Dr James Machin, currently based at the Royal College of Art, who discussed his experience of applying for and undertaking research fellowships in fantastic literature. James successfully applied for grants to visit the Harry Ransom Centre in Austin, Texas and the University of California at Riverside. His research was not on science fiction as such but on early instances of ‘weird fiction’, overlapping with horror and Gothic, notably the writing of H.P. Lovercraft and John Buchan’s lesser-known work in this field. James showed us his applications on screen, and gave advice on making them successful. In particular, he said, be thorough, and argue the case that the archive in question is crucial to your research, which couldn’t be completed without it. In response to questions, James also described the experience of working in an archive and the thrill of encountering original material that has rarely if ever been viewed before. The second part of the day was an extended panel discussion with three speakers: Sean Cubitt of Goldsmiths; Katie Stone, who is undertaking a PhD on science fiction at Birkbeck; and Francis Gene-Rowe, who is completing his studies at Royal Holloway. The panel was chaired by Aren Roukema who is completing a PhD on science fiction and religion at Birkbeck. Sean gave a fascinating presentation involving clips from the films Source Code (2011) and Déja Vu (2006), exploring the interaction between sound and image and their construction of virtual worlds. Katie and Francis then produced more of a dialogue between two streams of thought that were supported by an extensive series of slides, headed The Strange Ecologies of Science Fiction. Films mentioned and glimpsed included the recent Avengers blockbuster and other superhero...

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Chronitis
May15

Chronitis

Myles na gCopaleen à la recherche du temps perdu by Tobias Harris This article first appeared in the Modernist Review blog in 2016. Since it is no longer available there, we republish it here in advance of our Birkbeck Arts Week 2019 session, ’Irish Times: Myles na gCopaleen's Cruiskeen Lawn' which takes place at 7:40pm on 21st May in the Birkbeck School of Arts. Register for your free place to attend here. *** Brian O’Nolan (1911-1966) was an Irish writer who is now mainly referred to by his pseudonym Flann O’Brien, and known for his novels At Swim-Two-Birds (1939) and The Third Policeman (1967). However, in his lifetime he was far better known as Myles na gCopaleen, the name under which he published the satirical Cruiskeen Lawn several times a week in the Irish Times for a quarter of a century (as well as his novel, An Béal Bocht/The Poor Mouth, in 1941, and his plays, Faustus Kelly and The Insect Play, in 1943). Cruiskeen Lawn runs to something like four million words. Modern readers are likely to encounter it in one of several slimmed-downed compilations produced after his death, but on two occasions O’Nolan chose to reprint anthologies of Cruiskeen Lawn himself. First in 1943, he published a bilingual anthology which, as Steven Curran has argued in Éire-Ireland, sharpens its focus on the figure of Myles as a satirist and bears a mock newspaper front cover declaring: 'Myles na gCopaleen Crowned King of Ireland'. The second occasion was in 1959-1960, when O’Nolan republished about sixty columns in four numbers of a short-lived periodical which was called Nonplus, edited by the novelist Patricia Murphy (née Avis). The older O’Nolan also preserves a particular flavour of Cruiskeen Lawn by favouring some types of column over others. Whilst the character known as The Brother appears here and there and Keats and Chapman feature twice, just as in 1943, the republished columns are predominantly complex and multilingual satirical sallies into heavyweight topics: aesthetics, language, literature, politics and the national culture. (I should note that it has been suggested that many of the more ‘literary’ columns were written by co-author Niall Montgomery.) Some of this reprinted Nonplus material had already been published not once, but twice. This creates unusual effects. One such doubly reprinted column appeared first in 1946 (and this is the version that O’Nolan republishes in Nonplus, but more on that later) and again in 1958. It’s a set of preoccupations about posterity and maturity combined with strange recollections on time that turns into a plagiarising pastiche of the theories of W. B. Yeats. Sufficiently interested? Okay, I’ll try to summarise. On 7...

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